Story Arcs and Double Rainbows August 2, 2015Posted by bobv451 in e-books, sci-fi, science fiction, sense of wonder, serial fiction, writing.
Tags: mystery, paranormal, romance, science fiction, serial fiction
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..and even a pot of gold at the end of a series. Serial fiction can be like a mass murderer or a serial killer. The author’s choice comes in which style to follow.
Mass murderers are indiscriminate and go for a big number in a particular setting. In its way, an open-ended series is like this, especially if written by many authors. I’d put the Jake Logan series in this category (for which I wrote around 130 titles). Each story used the same main character but no title referred to any of the others, details found in them or situations. If poor Slocum lost the love of his life in #131, title #132 made no mention of how it affected him–or that he even had a love of his life, much less lost her. Each title stood on its own, but the readers came back for a main character with familiar behavior and attitude. The trappings are the same but the situation changes along with the personnel.
Serial killers (and fiction) are more interesting in that a single MO is used, only every title hones the technique and drives toward a goal. Nothing indiscriminate. There is a story thread running through every book contributing to an overall story, while each book has its own problem to solve. That is, each should stand alone but contributes to the overall story. A trilogy is an obvious case with a big story being dealt with and each book pushing along the story. What happens in each preceding book is used and built on in subsequent ones.
Such a serial story can be done with a more open-ended scheme that is still not a “mass killer” book. These are more difficult to write since each book has to be interesting to a new reader who hasn’t read earlier background stories but still intrigues those who have been along for the entire ride. The story never really has to end (think of that soap opera) but can if the story arc is satisfied.
I’m trying to get an open-ended series going (under the pen name Dana Fox). The eXtraodinary Bureau follows an FBI agent tasked with investigating possibly paranormal but likely highly technological crimes. Each story stands on its own but the story arc is not only his career advancement but his relationship with a feisty, independent woman caught between world wars where societal mores are changing dramatically. Ralph and Marla work together in Casefile 1, The Burning Man Anomaly but are on the outs in Casefile 2 being written now, The Aztec Automaton. The third title will have them together again. The story arc is their relationship; each title is an adventure that tests and strains and strengthens them.
Follow the arc and find a pot of gold. And you can even sign up for my mailing list with eXBureau info and a lot more.
What They Read (Kids) May 11, 2014Posted by bobv451 in business, e-books, education, ideas, iPad, sense of wonder, VIPub, web & computers, writing.
Tags: children, discoverability, e-books, education, fantasy, kids, reading, science fiction, sf
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Discoverability is an important part of any author’s excursion through the profession. How do you get eyes on your work? A study on what kids in K-12 read makes for fascinating reading, especially when you dig down into it and find the youngest grades are more amenable to ebooks than other groups. I’d always said ereaders would never become commonplace until the earliest grades read using them. It has happened.
The report What Kids Are Reading is downloadable as a pdf and takes a while to go through.
Here are some of my takeaways.
Many of these books are assigned by teachers and, to my way of thinking, aren’t of much use to us as writers of VIPub original fiction. A student reading To Kill A Mockingbird as a class assignment is less important than finding that Hunger Games has found itself a high ranking over the past few years or that the younger students read Dav Pilkey. Those are hardly revelations but give direction to our hunt to garner new readers. One trend that seems obvious to me in the younger readers (pre 6th grade) is the number of “outcast” stories. The kids want stories in the little tailor vein, Heinlein’s ordinary person who overcomes great peril to triumph as an individual. Superheroes are ok (are we being force fed them?) but the kids read stories about solitary heroes and heroines, probably because they see themselves that way (a fight between Katniss Everdeen and Percy Jackson?). No super powers, just outcast and subpar and wanting to do great things. Stories of accomplishment seem to rate higher than those of ordering the kids to have self-esteem. SF looks important in this extracurricular reading.
As long as I have been in science fiction fandom, there has been the semi-joke about the golden age of sf being 12. This report bears that out when you look at the number of words read by each grade group (page 55). The sixth graders read the most. You might make the argument later grades are reading more challenging books and are therefore reading less due to the time it takes to wade through. Maybe so, but if you want to capture an audience and keep it, find what appeals to a 6th grader. By that age they have access to an ereader, are becoming autonomous and developing their tastes in reading, and probably have more money to spend on their epurchases than the authors writing the stories.
Mostly, I need to sift through this report and find what is being read for pleasure, then figure out how to capture some of the market.
Playing In Someone Else’s Sandbox (Part 3)(game tie-ins) March 2, 2014Posted by bobv451 in business, e-books, fantasy, sci-fi, science fiction, sense of wonder, space, writing.
Tags: fantasy, gaming, RPG, sci-fi, science fiction, tie-in
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Worlds don’t need to be created when writing stories in well-developed properties like Magic: The Gathering, MechWarrior and other RPGs since the history for such is already extensive. The trick becomes fitting a new story into an established world.
With Magic, the cards call the stories. I did a short story, “Festival of Sorrow,” for the anthology Distant Planes. The idea was to develop a story with characters that fit into the universe that, excuse the pun, played on the card. At the time I played Magic and loved the look of the Festival card. The story built around not a celebration but a warrior’s need for revenge–only to have the revenge stolen away by his foe’s untimely death. All this made for a story I still like a lot.
I also did a Magic novel, Dark Legacy,and this was more open-ended. Fantasy, exploration and the main character wondering why she lacked the charisma of a lesser rover. It turned out to be as much a story of fame and what this means as it did derring-do.
One of the more curious things that somehow happens and is beyond my explaining came to the fore with a MechWarrior book, Ruins of Power. Nothing went right with it, I put in 20 hour days to meet the deadline because of constant changes, and one day out the editor wanted a different ending. On schedule, I delivered a book well over the 90,000 words contacted–and got it edited down for length through such things as losing my dedication and buildup material. Still, the book wasn’t bad and fit into the BattleTech universe. However, it is my worst reviewed book on Amazon and, strangely, one of my best selling. This comes down to fame or fortune. I suppose fortune wins out since that pays the bills.
Finding the right characters that fit into an established universe makes these books sing and dance. I’ve done stories for Warhammer, Pathfinder, Vor: The Maelstrom and Crimson Skies and the trick is, as in any story, putting the character into a dangerous position. The difference is doing it in context with a wide and detailed background established by not only the game developers but the fans. It can be tricky. It is also a lot of fun.
Here is the most recent of such travels into an RPG/gaming universe.
A: The Clone Ranger February 9, 2014Posted by bobv451 in business, death, ideas, sci-fi, science, science fiction, sense of wonder, serial fiction, writing.
Tags: clones, ideas, sci-fi, science fiction, writing
Q: What goes hi ho, Silver, Silver, Silver?
My dreams tend to be pretty worthless for thinking up plots or characters. A while back when I had trouble sleeping, I tried melatonin. This worked wonderfully well getting me to sleep but it gave me the most vivid–and boring–dreams ever. The vibrant colors came through unmatched by any other dream, but the sequence itself tended to be unthrilling, boring stuff like waiting in line at the supermarket. That was it. Just standing in line.
Recently I had a bout of dreams about clones. Who knows why? Something about the dream theme set my conscious brain to thinking in terms of sf stories (none of this was in the dream itself–that all came later). The variants on Heinlein’s “All You Zombies” are obvious but the moral considerations (and legal ramifications) are what boiled up in my head.
If you have sex with your own clone, is this masturbation? If you kill your own clone, is that suicide? (The truly scary ending on The Prestige is a take on this) If clones are considered separate entities, what does this do to DNA solutions for crimes? How do you prove it wasn’t you but your clone that did the crime? Could a clever criminal use his clone as an alibi for actually committing a crime? If you create your own clone for the express purpose of a sex crime (on the clone), who is the victim and who is the perpetrator? Is this even a crime? Could therapy for a serial killer be killing his own clones rather than other people? What are the ethics involved of trying risky medical treatments on clones to find the proper one for the “original?”
Cloning certainly eliminates the need for estate planning. Just will your clone your fortune. Skip a few hundred years into the future. Would all the wealth be consolidated in the hands of a few clones?
I need to get to work on a science fiction book. Not dealing with clones, not exactly (could a clone be used as a surrogate to serve a prison sentence?)
Of Alien Worlds…and Adjectives and Nouns January 12, 2014Posted by bobv451 in e-books, history, iPhone, movies & TV, sci-fi, science fiction, steampunk, Wild West, writing.
Tags: alien worlds, characters, ideas, sci-fi, science fiction, westerns, writing
I have mentioned before that writing westerns is now equivalent to writing sf. Science fiction envisions new and different worlds filled with characters unknown or unimagined by the reader. The traditional western set in the post Civil War era through 1890 and the closing of the frontier is now the same. Growing up, my oldest relatives lived at the edge of that time. Now that the WWII generation is shuffling off its mortal coil, firsthand stories are lost. With iPhones, 3D printers and wifi our everyday reality, the 1880s is completely unknown to modern readers through personal experience of family story. That means the same techniques we use to bring sf alien worlds alive are now necessary for westerns. We need to take the reader to a time and place completely beyond their ken with vivid description–and explanation of why the world is as we write it with “alien” elements like horses and cattle drives.
The style of writing has changed immensely in the last 25 years, where idea driven stories have fallen out of favor to ones with character driven plots. Westerns need to gear up, too, but a lot of writers already understand this and are working to give depth and motive (other than “revenge”) to their characters.
Along with this change is the broadening (I hesitate to say diluting, but that is part of it) with so many cross-genre stories. The noun is always the dictating form. For instance, ranch romance is a romance with all those conventions set in the west. If you happen to come across a romance western, you will have found a rare entry. Most all “…” romance is above all a romance. Paranormal romance. That’s romance with creepy happenings. Historical romance. A romance set in some other time period. And so on.
One interesting backwater is the western steampunk story. It can as easily be steampunk western. Adjective defining the type of western. Or the weird western. There aren’t many other sub genres that let us do a western with different overtones (there might be western mysteries like Longmire but check the adjective and the noun) but to maintain the structure, the very world of western lore requires us to understand what we are writing.
I love traditional westerns, but they were/too-often-are action driven with little regard to the characters. The best in the field like Elmer Kelton either consciously or unconsciously realized a western becomes more vital with living, breathing characters doing things the reader can identify with. With this additional writing technique, we now have to describe a world so far removed in time and space that it has become science fictional.
For your perusal, check out this Western Fictioneers series centered on individuals in the Old West. My Jackson Lowry title The Artist is an example of what I have been rattling on about. It is set in the Old West with a real character with a history, motivation and depth to bring him alive to today’s readers. It’s on sale right now, so you won’t be out that much to see what I mean. You won’t go wrong with the other novels in the West of the Big River series, either.
Happy trails, buckaroos.
Triage March 17, 2013Posted by bobv451 in business, e-books, fantasy, ideas, money, sci-fi, science fiction, VIPub, writing.
Tags: decisions, fantasy, ideas, sci-fi, science fiction, VIPub, writing
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Ideas are easy, developing them isn’t. Worse, choosing which to work on is even more daunting. I have a row of notebooks filled with ideas accumulated over the years and, as good as some are, I will never try to use them because others are better.
This segment of a Dilbert cartoon seems appropriate.
So how do you choose? Excitement has to be a factor for any writer. All you have in way of capital is time that must be spent properly. An idea that won’t let go of your imagination is a good candidate, but writing and rewriting it in your head isn’t good enough if you want to sell it to a publisher. Think of a Venn diagram of all the ideas you want to write and ideas that are salable. The intersection of the two sets is where you write. That’s not to say any other point in your “what you want to write about” set isn’t worthy. But to sell to an editor, that overlap has to be there.
Otherwise, VIPub (Vertically Integrated Publishing) is the way to go. Do it yourself. Damn the commercial sales, full steam ahead! This opens vistas galore, but the money isn’t likely to be as good (face it, not every book is going to be 50 Shades of Gray, which, depending on your outlook, is a good thing. But I am talking sales, not content.)
So, traditional dead tree publishing requires that overlap in idea/commercial. That eliminates a lot of what is always kicking around in my head. For a year or two I’ve wanted to do a Gormenghast type fantasy but it doesn’t have the feel of something that would sell. But it would be great to write (from my personal standpoint). Likely, it’ll stay on the backburner until a mystery and an sf book, both dancing on tippytoe through my head for years, are done since both strike me as great fun to write and commercial. One way of deciding if an idea is “good enough” is the test of time. Does it endure in your head and even grow? Or do newer ideas supplant?
You’ve got to decide, then stick with it to finish the writing before moving on. Don’t be seduced by the Siren’s lure of a “better” idea or you’ll never see a completed story.
Merry Mayan Apocalypse December 20, 2012Posted by bobv451 in business, death, End of the World, history, sci-fi, sense of wonder.
Tags: end of world, mass delusion, mayas, science fiction
Tomorrow, as I write this, the 5125 year Long Count Mayan calendar runs out. I personally think their next page with future 5125 years on it was lost. Or maybe got banned because it was a pinup calendar with sexy pictures of jaguars cavorting with Mayan maidens.
I have some fun with this and zombie apocalypses and so on, but too many people (even if it is just one, it is too many) take this seriously. Or at least use it for their own benefits, such as this sex hunt in NY.
Maybe not so bad? Will there be a population spike 9 months from now as after power blackouts? I doubt it. Like so much of this, just people scrambling for their 15 min of fame. (Doesn’t that 15 min come with some sort of inflation COLA? It’s *still* only 15 minutes. Unfair! We need a gummint commission to investigate the lack of increase.)
This hoohaw isn’t something making just occidentals crazy. Orientals can share it, too. China? Yup.
If you believe we’re all doooomed, okay. As I write this, it is Dec 21 in Australia and they are doing just fine. Maybe better than the US but that’s another story entirely.
But if you are looking for some mighty fine reading post-apocalyptic fun, I have discounted sf titles on my store starting on Dec 21 and lasting a few days only.
Wishing you a nice eternity. And a cheery Saturday.