Story Arcs and Double Rainbows August 2, 2015Posted by bobv451 in e-books, sci-fi, science fiction, sense of wonder, serial fiction, writing.
Tags: mystery, paranormal, romance, science fiction, serial fiction
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..and even a pot of gold at the end of a series. Serial fiction can be like a mass murderer or a serial killer. The author’s choice comes in which style to follow.
Mass murderers are indiscriminate and go for a big number in a particular setting. In its way, an open-ended series is like this, especially if written by many authors. I’d put the Jake Logan series in this category (for which I wrote around 130 titles). Each story used the same main character but no title referred to any of the others, details found in them or situations. If poor Slocum lost the love of his life in #131, title #132 made no mention of how it affected him–or that he even had a love of his life, much less lost her. Each title stood on its own, but the readers came back for a main character with familiar behavior and attitude. The trappings are the same but the situation changes along with the personnel.
Serial killers (and fiction) are more interesting in that a single MO is used, only every title hones the technique and drives toward a goal. Nothing indiscriminate. There is a story thread running through every book contributing to an overall story, while each book has its own problem to solve. That is, each should stand alone but contributes to the overall story. A trilogy is an obvious case with a big story being dealt with and each book pushing along the story. What happens in each preceding book is used and built on in subsequent ones.
Such a serial story can be done with a more open-ended scheme that is still not a “mass killer” book. These are more difficult to write since each book has to be interesting to a new reader who hasn’t read earlier background stories but still intrigues those who have been along for the entire ride. The story never really has to end (think of that soap opera) but can if the story arc is satisfied.
I’m trying to get an open-ended series going (under the pen name Dana Fox). The eXtraodinary Bureau follows an FBI agent tasked with investigating possibly paranormal but likely highly technological crimes. Each story stands on its own but the story arc is not only his career advancement but his relationship with a feisty, independent woman caught between world wars where societal mores are changing dramatically. Ralph and Marla work together in Casefile 1, The Burning Man Anomaly but are on the outs in Casefile 2 being written now, The Aztec Automaton. The third title will have them together again. The story arc is their relationship; each title is an adventure that tests and strains and strengthens them.
Follow the arc and find a pot of gold. And you can even sign up for my mailing list with eXBureau info and a lot more.
Riding Off Into the Sunset October 26, 2014Posted by bobv451 in business, e-books, New Mexico, VIPub, westerns, Wild West, writing.
Tags: LCCS, Mrs. NM, VIPub, weird westerns, westerns, writing
If a song can be said to have an impact on my life, it might be Dylan’s “The Times They Are A’Changin'”. I have always liked the line about getting out of the way if you can’t lend a hand. Looking at publishing this way has kept everything in perspective for me over a long writing career.
Ebooks changed the publishing world. Dead tree books will always be around but I found out Friday that there will be a lot fewer from a Big 5 publisher in the future. My editor of quite a few westerns (including Sonora Noose and The Great West Detective Agency) was gone. Along with her apparently went the entire Berkley line of westerns. Earlier this year they had gunned down all their monthly series. With this lynching, I’d say upward of 100 books won’t be published next year. The times are, indeed, changing.
This opens the door for a slew of indie presses to fill the vacuum. And for VIPub (Vertically Integrated Publishing, where the author writes, edits, produces and markets the book–every aspect of traditional publishing all in the author’s grip). Check out Western Fictioneers, Western Trail Blazer, Rough Edges Press, and more riding down the trail every day.
At the Lincoln County Cowboy Symposium I gave a talk on how the weird western has saved traditional westerns at least twice before. We may be looking at it happening a third time. The times are a’ changin’. And we have to move along or get plowed under. For one, I see this and am doing what I can to stay in the saddle.
One benefit of speaking at the LCCS is meeting a lot of great people. Here’s a picture of me with a very nice lady, 2014 >Mrs NM Kori Zwaagstra.
(Those are some of my books in the center!)
The Great West Detective Agency October 5, 2014Posted by bobv451 in e-books, history, outlaws, westerns, Wild West.
Tags: Colorado, gamblers, mystery, western
October 7. Write it down. Check it out…the release of The Great West Detective Agency by “Jackson Lowry,” of course. It has been a long trip getting here, or so it seems. Time travels in crazy spurts and long stretches like silly putty being pulled endlessly. The wait is over now and the book, both print and ebook, is available.
GWDA is my attempt at combining some elements of the traditional western and some humor a la Maverick with a mystery thrown in. I don’t think mysteries have to be murder mysteries necessarily. There are plenty of gunfights and bodies littering the pages, but this is a “Maltese Falcon” type of story with the ultimate discovery, amid political infighting and double-crosses, popping up at the end to wrap up a lot of subplots.
And it all starts with a gambler being hired to find a lovely lady’s poor little puppy dog.
This is the kind of story I enjoy reading. Something trivial snowballs into full-scale mayhem. GWDA has Russian revolutionaries, filibusterers, the possibility of Colorado seceding from the Union, millions in hidden treasure–and it all begins with Amanda Baldridge having her puppy stolen.
One thing about novels I’ve enjoyed is speculating on the backgrounds of characters. I’ve addressed that here with 4 Lives (in both print and ebook), a four story background on characters that play important roles in the story. In addition, the GWDA’s first chapter is included as a taste of the book itself. This is a good way to ease into the world of ne’er-do-well gambler Lucas Stanton and how he came to be the reluctant owner of the GWDA.
It was great fun to write. I hope you’ll find it as much fun to read.
What They Read (Kids) May 11, 2014Posted by bobv451 in business, e-books, education, ideas, iPad, sense of wonder, VIPub, web & computers, writing.
Tags: children, discoverability, e-books, education, fantasy, kids, reading, science fiction, sf
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Discoverability is an important part of any author’s excursion through the profession. How do you get eyes on your work? A study on what kids in K-12 read makes for fascinating reading, especially when you dig down into it and find the youngest grades are more amenable to ebooks than other groups. I’d always said ereaders would never become commonplace until the earliest grades read using them. It has happened.
The report What Kids Are Reading is downloadable as a pdf and takes a while to go through.
Here are some of my takeaways.
Many of these books are assigned by teachers and, to my way of thinking, aren’t of much use to us as writers of VIPub original fiction. A student reading To Kill A Mockingbird as a class assignment is less important than finding that Hunger Games has found itself a high ranking over the past few years or that the younger students read Dav Pilkey. Those are hardly revelations but give direction to our hunt to garner new readers. One trend that seems obvious to me in the younger readers (pre 6th grade) is the number of “outcast” stories. The kids want stories in the little tailor vein, Heinlein’s ordinary person who overcomes great peril to triumph as an individual. Superheroes are ok (are we being force fed them?) but the kids read stories about solitary heroes and heroines, probably because they see themselves that way (a fight between Katniss Everdeen and Percy Jackson?). No super powers, just outcast and subpar and wanting to do great things. Stories of accomplishment seem to rate higher than those of ordering the kids to have self-esteem. SF looks important in this extracurricular reading.
As long as I have been in science fiction fandom, there has been the semi-joke about the golden age of sf being 12. This report bears that out when you look at the number of words read by each grade group (page 55). The sixth graders read the most. You might make the argument later grades are reading more challenging books and are therefore reading less due to the time it takes to wade through. Maybe so, but if you want to capture an audience and keep it, find what appeals to a 6th grader. By that age they have access to an ereader, are becoming autonomous and developing their tastes in reading, and probably have more money to spend on their epurchases than the authors writing the stories.
Mostly, I need to sift through this report and find what is being read for pleasure, then figure out how to capture some of the market.
Playing In My Own Sandbox (part 2) April 13, 2014Posted by bobv451 in business, e-books, Free, ideas, VIPub, westerns, Wild West, writing.
Tags: ebooks, mysteries, series, westerns, writing
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Nothing is certain but change. That’s the way of life, but not necessarily so in series. If you intend to do a limited series, say a trilogy, your protagonist can have a character arc where all kinds of flaws are corrected or augmented by the end of the series. The protagonist usually grows as a person and responds to the vicissitudes of the plot thrown at him/her. This makes for a satisfying conclusion but presents a problem if the series stretches to more titles.
Readers get invested in the character. Watching one grow and change is fine if the series ends in a predetermined number of titles. If the series has multiple entries, this isn’t such a good idea. A reader coming into the series after 5 or 6 titles (or 50 or 60) can fall in love with that character, go back to read earlier titles and find the character doesn’t measure up. End of interest. Ebooks have the advantage of always being in print so a reader can scrounge up the first book and ride the wave through all the titles and enjoy the character development. But in a print series, this isn’t an easy thing. Print books go OP (out of print) in a few weeks.
Some many-authored long-running series like the Jake Logan books insist that the main character (in this case, John Slocum) never change from the traits listed in the series bible. Authors don’t have to deal with changes or details a book or a hundred books earlier. But what’s an author to do with a static protagonist?
The answer comes in the secondary characters. They can change (or even die). The protagonist carries the plot and everyone around can learn and grow or devolve. End of book, satisfying character changes, but not in the protagonist who moves on, as is, to begin a new adventure.
I am trying something a bit different in a western series starting in October. The protagonist in The Great West Detective Agency is a gambler and something of a wastrel whose liking for the ladies always gets him in trouble. It’s a print series so Lucas Stanton’s not going to change much, but I hit upon the idea of publishing short stories using secondary characters to augment the plot. What are the histories behind the characters in the book? The dance hall girl or the bartender? The sidekick or the femme fatale? The curious “source of all information” or the hellfire and brimstone preacher or the sweet young thing who entices Stanton into a new mystery? This volume (the first will be called 4 Lives) will be an ebook and maybe PoD. But it gives a chance for the behind the scenes look at the characters and how they got to where they are in the book, leaving the protagonist free to push the plot.
If you want a free copy of 4 Lives when it is ready in a month or so to see what I’m doing, drop me a line via my website at http://www.cenotaphroad.com and mention it. Be sure to tell me what your preferred format is.
Playing In Someone Else’s Sandbox (Part 6)(collaborations) March 23, 2014Posted by bobv451 in e-books, fantasy, VIPub, web & computers, writing.
Tags: Chris Achilleos, collaboration, fantasy, genre series, Geo W Proctor, Matthew Stover, writing
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This isn’t strictly about playing in someone else’s sandbox as much as learning to share your toys. For someone who doesn’t like doing collaborations it seems I have done quite a few. 16? About that. Mostly I go with the dictum: coauthoring is where you do twice the work for half the money.
An early collab was with Victor Milan in the 6-title series War of Powers. This one had a strange journey going from Playboy books to Ace/Berkley, but the best of the covers were in the twin omnibus New English Library volumes–the covers were by Chris Achilleos and rank with the best on any heroic fantasy book, any time, ever. The migration came about as Playboy dropped out of genre publishing but sales were so good Berkley nee Ace continued them.
I was doing the Cenotaph Road series for Ace when the first 3 Swords of Raemllyn books with Geo. Proctor were sold there. Geo and I talked over where we wanted to go, I did the synopsis, we rewrote it, I did the first draft since I wrote faster, Geo did a rewrite and then I did a final rewrite with him doing the page proofs. The process went quite well and we were able to talk endlessly about it. Geo lived in Texas, I was in NM. We both had Apple ][e computers and bought super hi-speed modems (4800 baud!) We swapped work via the modem, though a book took as long as 20 minutes to transfer, whereupon we would talk for another 2 hours about how techno savvy we were and how we saved so much money on postage. No matter that the phone bills were higher!
The first 3 Raemllyn books did so well, we sold 3 more. Ace balked at a final 3, but those sold to New English Library and never saw American dead tree publication. Unlike the lovely NEL covers for the War of Powers omnibus volumes, I thought these were all subpar. But they did ok in sales and the third omnibus with book #9 in it completed the series we had started ten years earlier.
Working with Geo was trying, especially when our ideas diverged, but the books came out a great fusion of his characters and my plots. And somehow we remained best friends throughout and after.
My other collaboration came with Matt Stover under not so ideal conditions (see the earlier blog about God of War 1), through no fault on either of our parts. His medical problems aside, it went well enough but the merging wasn’t as seamless as with Geo and the Raemllyn books.
Alas, Geo died before the Raemllyn ebooks were put up. It would have been fun doing more titles, with some of the old characters but new situations. We had an sf collaboration in the works, Forge of the Stars, but this isn’t a project that will go anywhere now. Time and science have left it behind. And without Geo, it wouldn’t be the same.
Do I recommend a newer writer collaborate? No. Do your own stuff. Do I recommend 2 authors at similar places in their careers to collaborate? Maybe. For fun. Then get to your own stuff. Always focus on doing your own work. (Remember, a collaboration is doing twice the work for half the money.)
Playing In Someone Else’s Sandbox (Part 5)(mosaic series) March 16, 2014Posted by bobv451 in e-books, ideas, outlaws, westerns, Wild West, writing.
Tags: Bill Crider, Cheryl Pierson, Frank Roderus, Jacquie Rogers, James Reasoner, LJ Martin, LJ Washburn, Meg Mims, Robert Randisi, series, Troy D. Smith, westerns, writing
Imagine a stained glass window, only every piece is cut and installed by a different artist. That’s the way a mosaic novel is done. Each author writes a chapter or two in an overarching plot, then the pieces are strung together like a pearl necklace. (A single author can also do a mosaic novel, loosely interconnected short stories telling a greater story. My favorites in this technique include Edward Bryant’s Cinnabar and Joe Landsale’s The Magic Wagon.)
But that loose congregation of stories isn’t exactly what happens in the Western Fictioneers’ series, Wolf Creek. Editor Troy Smith, a Spur Award winner, comes up with a plot and then each author takes his own special character and stirs it up in a chapter or two to advance the story.
Each novel stands on its own but the entire series progresses well in developing not only the town of Wolf Creek, Kansas, but also the major characters. That each book stands on its own allows change in the characters but readers choosing “out of sequence” won’t be too shocked by differences. My character is a lowlife named Wilson “Wil” Marsh, the town photographer always on the outlook for the quick (and shady) buck. He takes blue pictures of the town’s most prominent women because he knows their secrets. He sells lurid photos of dead outlaws and slain Indians to magazines back East hungry for such notoriety. And he even manages to get photos of bank robbers, not to use as evidence in court but to blackmail them. He’s not a nice guy, but he drops money in the poor box at a church he hates and has some empathy for the downtrodden. Why is slowly coming out as I work in my miniature stories within the mosaic novels.
To date I’ve done chapters about Wil in The Quick and the Dying
and Kiowa Vengeance with a new story about a Sand Creek-like massacre on tap. And yes, Wil has a new way to profit off his photographs not involving blackmail but still fraudulent as hell.
What is strange about this for me, at least, is that my Jackson Lowry pen name, has a pen name (Ford Fargo). Others taking part include some of the finest writers working today in the western field. Frank Roderus, Robert Randisi, James Reasoner, Matthew Mayo, LJ Washburn, Cheryl Pierson, Jory Sherman, Meg Mims, Bill Crider, LJ Martin, Jacquie Rogers and a whole lot more.
What you get in every book is a spectrum of top writers and a complete novel-length plot. And an exciting read.
Playing In Someone Else’s Sandbox (Part 3)(game tie-ins) March 2, 2014Posted by bobv451 in business, e-books, fantasy, sci-fi, science fiction, sense of wonder, space, writing.
Tags: fantasy, gaming, RPG, sci-fi, science fiction, tie-in
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Worlds don’t need to be created when writing stories in well-developed properties like Magic: The Gathering, MechWarrior and other RPGs since the history for such is already extensive. The trick becomes fitting a new story into an established world.
With Magic, the cards call the stories. I did a short story, “Festival of Sorrow,” for the anthology Distant Planes. The idea was to develop a story with characters that fit into the universe that, excuse the pun, played on the card. At the time I played Magic and loved the look of the Festival card. The story built around not a celebration but a warrior’s need for revenge–only to have the revenge stolen away by his foe’s untimely death. All this made for a story I still like a lot.
I also did a Magic novel, Dark Legacy,and this was more open-ended. Fantasy, exploration and the main character wondering why she lacked the charisma of a lesser rover. It turned out to be as much a story of fame and what this means as it did derring-do.
One of the more curious things that somehow happens and is beyond my explaining came to the fore with a MechWarrior book, Ruins of Power. Nothing went right with it, I put in 20 hour days to meet the deadline because of constant changes, and one day out the editor wanted a different ending. On schedule, I delivered a book well over the 90,000 words contacted–and got it edited down for length through such things as losing my dedication and buildup material. Still, the book wasn’t bad and fit into the BattleTech universe. However, it is my worst reviewed book on Amazon and, strangely, one of my best selling. This comes down to fame or fortune. I suppose fortune wins out since that pays the bills.
Finding the right characters that fit into an established universe makes these books sing and dance. I’ve done stories for Warhammer, Pathfinder, Vor: The Maelstrom and Crimson Skies and the trick is, as in any story, putting the character into a dangerous position. The difference is doing it in context with a wide and detailed background established by not only the game developers but the fans. It can be tricky. It is also a lot of fun.
Here is the most recent of such travels into an RPG/gaming universe.
Playing In Someone Else’s Sandbox (Part 1)(The Stink of Flesh) February 16, 2014Posted by bobv451 in business, e-books, End of the World, fantasy, movies, New Mexico, sci-fi, science fiction, VIPub, writing.
Tags: alternative lifestyles, horror, movies, novelization, stink of flesh, tie-in, zombies
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Tie-in work comes in a lot of varieties and most readers don’t appreciate the problems inherent. This is why the International Association of Media Tie-in Writers was formed.
Too many readers dismiss such work as hack work. Might be, but expectations enter in that aren’t brought to other sub-genres. If the reader hates the original game/movie/comic/tv show, then any novelization is going to be awful. Similarly, if the reader loves the original source so much it is part of his life, his very soul, it’s doubtful any novelization will live up to those lofty expectations (those intensely *personal* expectations).
The challenges of adapting a work can be daunting, especially moving from a movie to a novel. In the next few weeks I’ll go over the tie-in work I’ve done for video games, card-based games, series tie-ins and some other stuff. This time I want to hit the movie tie-in I did for Scott Phillips’ The Stink of Flesh. This had some extra thrill for me since I was in the movie (even if my son gets better billing ) so could enjoy killing myself off all over again in the novelization.
I had a copy of the script but had to remember from the time spent on the set what everything around me looked like. Playing the VHS copy I had, stopping it and making notes, helped, too, but with tape this is a tedious process. When I had my notes for every scene, I looked them over and saw this wasn’t a full-fledged book. In a movie characters can, well, act. A major character never says a word. They show emotions without words. Things happen in the background that aren’t explicitly mentioned in the movie There has to be extra material in a book to communicate this. More than this, a script comes up short in terms of page count in a novel. I put in extra scenes to bridge ones in the movie and introduced new characters that fit into the strange world Scott had built so well in the movie. The “Vegetable Man” scene in the book is an example. We know what the zombies want. How do the regular, still-human people live?
The movie is on its way to becoming a cult classic. A 30-copy limited edition is just now for sale.
As Joe Bob Briggs would say, check it out. Also the novelization.