Reading Weird April 17, 2017Posted by bobv451 in alt history, e-books, fantasy, sense of wonder, weird westerns, westerns, Wild West, writing.
Tags: alt history, review, weird western, western
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I write weird westerns, but it probably goes without saying (or should) that I enjoy reading weird westerns, too. Like every other genre, or sub-genre, some are wowsa and others leave me cold. Much has to do with timing. A mediocre book hitting me at the right time will get me thinking for weeks. I’m not so sure if a great book ever leaves me cold, buried and mummified since that wouldn’t be a great book then. To me. I’ve said for a very long time the writer brings 75% to the party. The reader furnished the other 25%, and what that is the author has not a clue.
I know what Peter Branvold brought in his 75% of Dust of the Damned, and that is a a cast of good guys that I wanted to read more about, which is my 25% contribution. The creepy crawlies they face are varied and unusual enough to keep me reading–hobgobbies, werewolves, vampires (spillers), brujas, and dragons! But added into the ghoul killing, the world itself is alt-history since Lincoln brought werewolves over from Europe to defeat the Confederates at Gettysburg, then he and Grant killed themselves out of shame at what they’d done. Sherman is president. But the real story is that after escaping Union dominion, the Hell’s Angels gang was born (if that’s the proper way of stating it). They infest most Western states and are tracked down by bounty hunter Uriah Zane and deputy US marshal Angel Coffin, sometime lovers and always ready to tangle with the ghouls.
The setting is good, the action is topnotch and the characters are worth following to the very last page. This is why I like weird westerns (and alt-history).
Semi-Weird April 9, 2017Posted by bobv451 in business, fantasy, Haiti, movies & TV, outlaws, westerns, Wild West, writing.
Tags: fantasy, weird westerns, writing
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Weird westerns are like zebras, either black with white stripes or white with black stripes, depending on your viewpoint. Is it weird, ie horror oriented? Or is a western, complete with western tropes? Mixing the two requires some kind of a decision. Mostly, when I write weird westerns, I go with the western basis and the horror/fantastical added on top of it.
Considering the interests of the readership (is it western or is it horror?) I have chosen poorly going the way I have. Western readers don’t seem to like much outside the traditional. Horror readers are more eclectic in their tastes, and a western setting can be reshaped into Victorian or even Gothic. I tried a trilogy, which I quite like both in concept and execution, with the voodoo element causing the western protagonist all kinds of trouble. Marketed to western readers, it hasn’t done well at all.
Punished was called semi-weird by one reviewer because it isn’t the usual stew pot of weird (like Penny Dreadful with Frankenstein’s monster, vampires, witchcraft and about everything else in the supernatural arsenal). I stuck with one menace. A not very nice protagonist is cursed by a voodoo practitioner and slowly turns into a zombie. To lift the curse he has to cross country from San Francisco to New Orleans. Along the way the very people he hates most are the only ones who can help him hold the curse at bay. As a zombie he is old school, not George Romero brain-eating, shambling or hyperzombie.
Poor Vincente has lost everything and now deals with Navajo shaman, Chinese herbalists and reluctant black voodoo mama loi. But at its core, this is a western dealing with outlaws, riverboats and all the usual, including cavalry, hanging judges and snake oil salesman. I enjoyed writing the three books but if I had them to do over, I’d go the route of western romances (romance base, western setting). Undead, Navajo Witches and Bayou Voodoo would be horrific stories set in the West.
Getting Weird…But It Always Has Been April 2, 2017Posted by bobv451 in history, robot rights, science fiction, serial fiction, steampunk, westerns, Wild West, writing.
I am talking about weird westerns, of course. Writing has taken me on a curving path the past couple years, but weird westerns have always been there along the way. Awhile back I looked into the history of WW and found, to my surprise, that they have been around almost as long as western fiction and, more than once, have saved the traditional western from extinction.
Back in 1860 Beadle’s Dime Novels ran a story, “Captives of the Frontier” by Seth Jones. Straight ahead western–and it sold 400,000 copies. The appeal of the frontier, the Wild West, the freedom offered by endless vistas (and the dangers, such as being kidnapped by ferocious savages) proved to be a big hit with Eastern audiences starving in rat-infested tenements. But even such derring-do and fraught-with-danger tales can pale. In 1868 Edward Sylvester Ellis perked up the field with what is likely the first WW: “The Huge Hunter or The Steam Man of the Prairies.”
Even better (for me) it’s got a robot in it!
Tale tales in the West (or anywhere else) are hardly unique. Paul Bunyon and Pecos Bill and La Llorona and…lots. Creepy and funny, outrageous and maybe hinting at what it was like to be an explorer, the stories were told around the campfire. But the Dime Novels gave a new dimension–the printed word. As the western rose, WWs languished, but as the traditional western fell out of favor, WWs flourished in many forms. Today the traditional western (published in NYC) is on the wane. Indie publishers are taking up the slack but WWs are proliferating (and along with them steampunk stories set in the Wild West). A forthcoming WW anthology has some of the best sf writers around in it but very few western writers–that’s good for cross-pollination. It’s hard these days to find such an anthology of only traditional western writers (and if you know of a new one, let me know. I missed it.)
Story Arcs and Double Rainbows August 2, 2015Posted by bobv451 in e-books, sci-fi, science fiction, sense of wonder, serial fiction, writing.
Tags: mystery, paranormal, romance, science fiction, serial fiction
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..and even a pot of gold at the end of a series. Serial fiction can be like a mass murderer or a serial killer. The author’s choice comes in which style to follow.
Mass murderers are indiscriminate and go for a big number in a particular setting. In its way, an open-ended series is like this, especially if written by many authors. I’d put the Jake Logan series in this category (for which I wrote around 130 titles). Each story used the same main character but no title referred to any of the others, details found in them or situations. If poor Slocum lost the love of his life in #131, title #132 made no mention of how it affected him–or that he even had a love of his life, much less lost her. Each title stood on its own, but the readers came back for a main character with familiar behavior and attitude. The trappings are the same but the situation changes along with the personnel.
Serial killers (and fiction) are more interesting in that a single MO is used, only every title hones the technique and drives toward a goal. Nothing indiscriminate. There is a story thread running through every book contributing to an overall story, while each book has its own problem to solve. That is, each should stand alone but contributes to the overall story. A trilogy is an obvious case with a big story being dealt with and each book pushing along the story. What happens in each preceding book is used and built on in subsequent ones.
Such a serial story can be done with a more open-ended scheme that is still not a “mass killer” book. These are more difficult to write since each book has to be interesting to a new reader who hasn’t read earlier background stories but still intrigues those who have been along for the entire ride. The story never really has to end (think of that soap opera) but can if the story arc is satisfied.
I’m trying to get an open-ended series going (under the pen name Dana Fox). The eXtraodinary Bureau follows an FBI agent tasked with investigating possibly paranormal but likely highly technological crimes. Each story stands on its own but the story arc is not only his career advancement but his relationship with a feisty, independent woman caught between world wars where societal mores are changing dramatically. Ralph and Marla work together in Casefile 1, The Burning Man Anomaly but are on the outs in Casefile 2 being written now, The Aztec Automaton. The third title will have them together again. The story arc is their relationship; each title is an adventure that tests and strains and strengthens them.
Follow the arc and find a pot of gold. And you can even sign up for my mailing list with eXBureau info and a lot more.
Riding Off Into the Sunset October 26, 2014Posted by bobv451 in business, e-books, New Mexico, VIPub, westerns, Wild West, writing.
Tags: LCCS, Mrs. NM, VIPub, weird westerns, westerns, writing
If a song can be said to have an impact on my life, it might be Dylan’s “The Times They Are A’Changin'”. I have always liked the line about getting out of the way if you can’t lend a hand. Looking at publishing this way has kept everything in perspective for me over a long writing career.
Ebooks changed the publishing world. Dead tree books will always be around but I found out Friday that there will be a lot fewer from a Big 5 publisher in the future. My editor of quite a few westerns (including Sonora Noose and The Great West Detective Agency) was gone. Along with her apparently went the entire Berkley line of westerns. Earlier this year they had gunned down all their monthly series. With this lynching, I’d say upward of 100 books won’t be published next year. The times are, indeed, changing.
This opens the door for a slew of indie presses to fill the vacuum. And for VIPub (Vertically Integrated Publishing, where the author writes, edits, produces and markets the book–every aspect of traditional publishing all in the author’s grip). Check out Western Fictioneers, Western Trail Blazer, Rough Edges Press, and more riding down the trail every day.
At the Lincoln County Cowboy Symposium I gave a talk on how the weird western has saved traditional westerns at least twice before. We may be looking at it happening a third time. The times are a’ changin’. And we have to move along or get plowed under. For one, I see this and am doing what I can to stay in the saddle.
One benefit of speaking at the LCCS is meeting a lot of great people. Here’s a picture of me with a very nice lady, 2014 >Mrs NM Kori Zwaagstra.
(Those are some of my books in the center!)
The Great West Detective Agency October 5, 2014Posted by bobv451 in e-books, history, outlaws, westerns, Wild West.
Tags: Colorado, gamblers, mystery, western
October 7. Write it down. Check it out…the release of The Great West Detective Agency by “Jackson Lowry,” of course. It has been a long trip getting here, or so it seems. Time travels in crazy spurts and long stretches like silly putty being pulled endlessly. The wait is over now and the book, both print and ebook, is available.
GWDA is my attempt at combining some elements of the traditional western and some humor a la Maverick with a mystery thrown in. I don’t think mysteries have to be murder mysteries necessarily. There are plenty of gunfights and bodies littering the pages, but this is a “Maltese Falcon” type of story with the ultimate discovery, amid political infighting and double-crosses, popping up at the end to wrap up a lot of subplots.
And it all starts with a gambler being hired to find a lovely lady’s poor little puppy dog.
This is the kind of story I enjoy reading. Something trivial snowballs into full-scale mayhem. GWDA has Russian revolutionaries, filibusterers, the possibility of Colorado seceding from the Union, millions in hidden treasure–and it all begins with Amanda Baldridge having her puppy stolen.
One thing about novels I’ve enjoyed is speculating on the backgrounds of characters. I’ve addressed that here with 4 Lives (in both print and ebook), a four story background on characters that play important roles in the story. In addition, the GWDA’s first chapter is included as a taste of the book itself. This is a good way to ease into the world of ne’er-do-well gambler Lucas Stanton and how he came to be the reluctant owner of the GWDA.
It was great fun to write. I hope you’ll find it as much fun to read.
What They Read (Kids) May 11, 2014Posted by bobv451 in business, e-books, education, ideas, iPad, sense of wonder, VIPub, web & computers, writing.
Tags: children, discoverability, e-books, education, fantasy, kids, reading, science fiction, sf
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Discoverability is an important part of any author’s excursion through the profession. How do you get eyes on your work? A study on what kids in K-12 read makes for fascinating reading, especially when you dig down into it and find the youngest grades are more amenable to ebooks than other groups. I’d always said ereaders would never become commonplace until the earliest grades read using them. It has happened.
The report What Kids Are Reading is downloadable as a pdf and takes a while to go through.
Here are some of my takeaways.
Many of these books are assigned by teachers and, to my way of thinking, aren’t of much use to us as writers of VIPub original fiction. A student reading To Kill A Mockingbird as a class assignment is less important than finding that Hunger Games has found itself a high ranking over the past few years or that the younger students read Dav Pilkey. Those are hardly revelations but give direction to our hunt to garner new readers. One trend that seems obvious to me in the younger readers (pre 6th grade) is the number of “outcast” stories. The kids want stories in the little tailor vein, Heinlein’s ordinary person who overcomes great peril to triumph as an individual. Superheroes are ok (are we being force fed them?) but the kids read stories about solitary heroes and heroines, probably because they see themselves that way (a fight between Katniss Everdeen and Percy Jackson?). No super powers, just outcast and subpar and wanting to do great things. Stories of accomplishment seem to rate higher than those of ordering the kids to have self-esteem. SF looks important in this extracurricular reading.
As long as I have been in science fiction fandom, there has been the semi-joke about the golden age of sf being 12. This report bears that out when you look at the number of words read by each grade group (page 55). The sixth graders read the most. You might make the argument later grades are reading more challenging books and are therefore reading less due to the time it takes to wade through. Maybe so, but if you want to capture an audience and keep it, find what appeals to a 6th grader. By that age they have access to an ereader, are becoming autonomous and developing their tastes in reading, and probably have more money to spend on their epurchases than the authors writing the stories.
Mostly, I need to sift through this report and find what is being read for pleasure, then figure out how to capture some of the market.
Confirmation Bias May 4, 2014Posted by bobv451 in Uncategorized.
Tags: confirmation bias, fiction, science, sf, Time, writing
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One of the hats I wear at this time of year is working on the editorial staff of a four-play of great fantasy football magazines. One of them won best fantasy football magazine of the 2013 (beating out such also-rans as Sports Illustrated and Rotowire <g>). One article that just passed through my computer this year takes the usual fantasy selection process to a new level by discussing confirmation bias.
This started me thinking about how confirmation bias enters into fiction writing overall. In a nutshell this is (subconsciously) looking for information that supports your own beliefs.
Everyone filters what they choose to read simply because there isn’t time enough to read everything. If I write a book a month and you can read it in a day, you have 29 or 30 days free–but there are hundreds of authors also publishing a book to take up that schedule. Read 3 a day–there are more than that being published. And I’m just talking f&sf. Throw in mysteries and westerns and romance and nf and all the rest, you’d have to read faster than the speed of light. So of course you need to pick and choose (call it discriminate, if you will). You read space opera with a touch of other sf? You still have to figure out how to best spend your time. Favorite author? This is music to my ears if my name is on that mental list because it means I write what you like.
Here is where confirmation bias can be both good and bad. It’s good that you read for enjoyment what entertains you. It’s stupid to force yourself through a book that isn’t delivering the groceries. All you have in life is time and you must make the most of it. The same goes for being a writer. I pick and choose what interests me to write. Confirmation bias supports my choices since I need look at only the bits and pieces that reinforce my foolish belief I can sell what I write. Would something outside the box (I am beginning to hate this cliche) be better? Maybe, but not if it doesn’t spark my interest. I love reading about physics and my bias is in that direction. That’s not to say civil engineering wouldn’t add to my store of info, but mostly I don’t care about asphalt roads or designing parking lots or see how a story about them would be fun to write. I would rather find another article on the Alcubierre warp drive.
Confirmation bias supports my beliefs in fiction reading and writing. Making decisions that involve life and death situations certainly require examining your beliefs to be sure they aren’t doing great harm or are just not right. What if the accepted mass of the electron was wrong, maybe just by a tad? Such “absolutely known” numbers need to be verified and are never “accepted science” in real science.
Playing In My Own Sandbox (part 2) April 13, 2014Posted by bobv451 in business, e-books, Free, ideas, VIPub, westerns, Wild West, writing.
Tags: ebooks, mysteries, series, westerns, writing
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Nothing is certain but change. That’s the way of life, but not necessarily so in series. If you intend to do a limited series, say a trilogy, your protagonist can have a character arc where all kinds of flaws are corrected or augmented by the end of the series. The protagonist usually grows as a person and responds to the vicissitudes of the plot thrown at him/her. This makes for a satisfying conclusion but presents a problem if the series stretches to more titles.
Readers get invested in the character. Watching one grow and change is fine if the series ends in a predetermined number of titles. If the series has multiple entries, this isn’t such a good idea. A reader coming into the series after 5 or 6 titles (or 50 or 60) can fall in love with that character, go back to read earlier titles and find the character doesn’t measure up. End of interest. Ebooks have the advantage of always being in print so a reader can scrounge up the first book and ride the wave through all the titles and enjoy the character development. But in a print series, this isn’t an easy thing. Print books go OP (out of print) in a few weeks.
Some many-authored long-running series like the Jake Logan books insist that the main character (in this case, John Slocum) never change from the traits listed in the series bible. Authors don’t have to deal with changes or details a book or a hundred books earlier. But what’s an author to do with a static protagonist?
The answer comes in the secondary characters. They can change (or even die). The protagonist carries the plot and everyone around can learn and grow or devolve. End of book, satisfying character changes, but not in the protagonist who moves on, as is, to begin a new adventure.
I am trying something a bit different in a western series starting in October. The protagonist in The Great West Detective Agency is a gambler and something of a wastrel whose liking for the ladies always gets him in trouble. It’s a print series so Lucas Stanton’s not going to change much, but I hit upon the idea of publishing short stories using secondary characters to augment the plot. What are the histories behind the characters in the book? The dance hall girl or the bartender? The sidekick or the femme fatale? The curious “source of all information” or the hellfire and brimstone preacher or the sweet young thing who entices Stanton into a new mystery? This volume (the first will be called 4 Lives) will be an ebook and maybe PoD. But it gives a chance for the behind the scenes look at the characters and how they got to where they are in the book, leaving the protagonist free to push the plot.
If you want a free copy of 4 Lives when it is ready in a month or so to see what I’m doing, drop me a line via my website at http://www.cenotaphroad.com and mention it. Be sure to tell me what your preferred format is.